Tag Archives: Masterpiece

Unplugging Because. . .

Technology, like sex, has a love/scare relationship with most Americans.

Until relatively recently, sex has been something that you just did not speak about in anything remotely resembling polite company. Not only did Lucy and Ricky sleep in separate beds with a nightstand between them, but most of George Carlin’s seven words you can’t say on television have to do with sex.

The flip side to that, however, is that while sex might not have been a public subject, it was the thing most on the minds of American men and women. Porn thrived, especially with the arrival of the internet and the ability of people to buy it anonymously. You couldn’t talk about it, but it was used to sell everything from cars and toothpaste to fridges and massagers.*

Things haven’t changed all that much, but it has become a bit less of a taboo in public discussion. Or at least, my wife, known to one and all as She Who Must Be Talking About Sex, and her friends seem to have no trouble talking about this kind of thing anywhere and everywhere.

I’m thinking technology is beginning to occupy a similar place in the American psyche. Not so much its existence, but, rather its use.What's the point of things like the National Day of Unplugging? Are we that scared of what the internet, in particular, and technology, in general, can offer to us?

More and more people are joining movements like the National Day of Unplugging, which was held early last month. The point of it was to abjure technology from sundown March 7 to sundown March 8. Ironically, folks who participated took photos of themselves and posted them on the National Day of Unplugging website to talk about “I unplug to. . . ”

I’m assuming ironic-deafness is a prerequisite to becoming a Luddite.

This whole thing reminds me of people who used to say, “I never watch television, except maybe a few hours of Masterpiece Theater on PBS.” Mostly folks said that to make it look like they were too smart, too sophisticated to debase their minds with the common drivel the rest of us enjoyed.

I suspect these folks are probably the same ones who won’t use an e-reader because they only read “real” books.

So, really, what’s the point? It’s not like any of these people are going to unplug for the rest of their lives. It seems to me that the whole point of this unplugging is to plug back in and then broadcast to one and all how virtuous you were because you put down your smartphone for a while.

It might have something to do with the fact that people don’t trust themselves very much. They use programs that block the internet or blank their web browsers so they won’t fool around when they should be working. They keep checking their messages and e-mail during meals with other people.

Even if you have always-on connection, that doesn’t mean you have to use it, yeah?

Mostly, I think the attraction of these sorts of things lies in the fact that, for most people, the idea of change is scary. And technology is all about change, about doing things differently, more efficiently, on a wider scale than before, seeing new things in your lives that had always been there, but were never noticed.

Dudes and dudettes get caught up in the world and begin racing toward the future with eyes open, but stop every once in a while, stumble, and realize just how much change we’ve been through and still face.

The strong smile, assess and continue. The weak unplug.

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Sunday Serenade: Bohemian Gravity

Queen’s Bohemian Rhapsody is probably one of the most frequently poorly-done remake of a song.

That is, the original is a thing of wonder and beauty even if we don’t quite understand what it means, but there have been so many horrifyingly bad attempts to better Freddy and the boys.

The original version is a masterpiece of vocals, brilliantly weaving in and out of the instrumental track, up and down in pitch and tone, wandering across a fascinating story. The thing is, a remake never, ever works.

Until it does.

Meet physics graduate student Timothy Blaise (who posted this link to his recently submitted thesis, along with the video) and his astonishingly entertaining syncretic recitation of modern string theory. To make matters even more wonderful, Blaise, who has done this sort of thing before, does this entire song a cappella. That’s right, using only his voice.

It’s geeky. It’s amazing. And it’s here right now.


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Sunday Sensation: Bambi Meets Godzilla

Created in 1969, the animated short called Bambi Meets Godzilla still was shown at midnight movie showings for many decades after.

Which was where I first came across this modern masterpiece. It’s been a staple of animation festivals and other movie festivals ever since it first was released.

It’s a marvelous example of the mash-up culture, taking two disparate things and mashing them together to form something completely distinct from its origins. The animator had permission neither from the makers of Bambi nor the creators of Godzilla. He just had a good idea and ran with it.

If you were a lucky dude, as when I was growing up and seeing this for the first time, you were able to watch a scratchy, ugly copy of a copy of a copy. Now, though, through the magic of the internet, a fan of the original animated short went back and painstakingly restored the movie, frame by frame.

And, so, I present to you dudes Bambi Meets Godzilla: The Restoration. It’s awesome. Enjoy.

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